A conversation between a recovering addict, a Seattle police officer, and a case manager on their experience as some of the first participants in an innovative harm reduction program. The Law Enforcement Assisted Diversion (LEAD) is a harm reduction program started in Seattle. Instead of incarcerating low level, repeat drug offenders, LEAD is a pre-booking…
Cinematography
Minerva Institute: Active Learning Forum
Active Learning Forum: A New Way to Learn is a film created for the Minerva Institute that tells the story of the impact that the Active Learning Forum has on student learning and professor instruction. We explore not only the depth and breadth of the platform tools, but also highlight the real relationships that develop both…
36 Hours: Paris
Think Left Bank, and the Latin Quarter and the Eiffel Tower spring to mind. The Right Bank, which is twice the size, has no clear identity. There are, in fact, many Right Banks. I’m pleased to share the another episode of 36 Hours, a video travel series for The New York Times. Read the written article here. Role Cinematographer Full…
36 Hours: Pittsburgh
Beyond Pittsburgh’s pretty downtown, transformation and momentum reign, with former industrial areas giving way to restaurants, shops and art venues. I’m pleased to share the another episode of 36 Hours, a video travel series, that I’ve been filming for The New York Times. Read the written article here. Role Cinematographer Full Credits Producer: Fritzie Andrade Cinematography: Jessey Dearing and Andrew Hida Sound: Louie Alfaro…
36 Hours: Savannah
Yes, there are lots of live oaks and lovely squares, but Savannah also has a lively bar scene, innovative restaurants and a rich, storied past. I’m pleased to share the another episode of 36 Hours, a video travel series, that I’ve been filming for The New York Times. Read the written article here. Role Cinematographer Full Credits Producer: Fritzie Andrade Cinematography: Jessey Dearing…
36 Hours: San Luis Obispo
Wine, California cuisine and the great outdoors await visitors to bucolic San Luis Obispo County. I’m pleased to share the another episode of 36 Hours, a video travel series, that I’ve been filming for The New York Times. Read the written article here. Role Cinematographer Full Credits Producer: Fritzie Andrade Cinematography: Jessey Dearing and Max Cantor Sound: Louie Alfaro Editor: Will Lloyd
36 Hours: Key West
Ernest Hemingway’s favorite pastimes — catching big fish, eating well and drinking hard — still define the island’s appeal, with the added attractions of countless water sports and gorgeous sunsets. I’m pleased to share the another episode of 36 Hours, a video travel series, that I’ve been filming for The New York Times. Read the written article here. Role Cinematographer Full Credits…
36 Hours: Palm Beach
Palm Beach may be known for its extravagant mansions, tony retailers and fancy nightspots, but it also has its own brand of small-town charm. I’m pleased to share the another episode of 36 Hours, a video travel series, that I’ve been filming for The New York Times. Read the written article here. Role Cinematographer Full Credits Producer: Fritzie Andrade Cinematography: Jessey Dearing…
36 Hours: Koreatown
As the most densely packed part of Los Angeles, Koreatown is also one of the city’s most strollable, with Art Deco buildings, palm-lined streets and East-meets-West restaurants. I’m pleased to share the first of several films that I’ve been shooting with The New York Times on a video travel series called 36 Hours that began last…
NYTimes: A Company Copes With Backlash Against the Raise That Roared
Dan Price, chief of Gravity Payments, raised the annual salary floor for his employees to $70,000. Most responses were positive, but Mr. Price says that even the negative letters were valuable. When I found out I’d have just over an hour and a half for this shoot, I knew I wanted to bring Tim Matsui…